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Senin, 24 Mei 2010

[S313.Ebook] Free PDF The Visitant: A Venetian Ghost Story, by Megan Chance

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The Visitant: A Venetian Ghost Story, by Megan Chance

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A crumbling palazzo in nineteenth-century Venice holds a buried secret.

After she nearly ruins her family with a terrible misstep, Elena Spira is sent to Venice to escape disgrace and to atone by caring for the ailing Samuel Farber. But the crumbling and decaying Ca’ Basilio palazzo, where Samuel is ensconced, holds tragic secrets, and little does Elena know how profoundly they will impact her. Soon she begins to sense that she is being watched by something. And when Samuel begins to have hallucinations that make him violent and unpredictable, she can’t deny she’s in mortal danger.

Then impoverished nobleman Nero Basilio, Samuel’s closest friend and the owner of the palazzo, arrives. Elena finds herself entangled with both men in a world where the past seeps into the present and nothing is as it seems. As Elena struggles to discover the haunting truth before it destroys her, a dark force seems to hold Samuel and the Basilio in thrall—is it madness, or something more sinister?

Sales Rank: #37892 in eBooks
Published on: 2015-09-22
Released on: 2015-09-22
Format: Kindle eBook

Review

“Kitsap Peninsula author Megan Chance returns to the haunting, atmospheric milieu of her last novel (Inamorata)—Venice in the late nineteenth century—for this new novel about three people and a decaying mansion full of secrets...As a romantic triangle develops and the plot advances, Chance’s command of hinting nuances sets the stage for the reader’s unease.” —The Seattle Times

“The Visitant: A Venetian Ghost Story is a wonderfully drawn Gothic tale...[evoking] everything that is wonderful in the genre: secretive characters, an old house, and of course, ghosts and demons...The Visitant will keep readers turning pages well into the night.” —Historical Novel Society

About the Author

Megan Chance is a critically acclaimed, award-winning author of historical fiction. Her novels have been chosen for the Borders Original Voices and Book Sense programs. A former television news photographer and graduate of Western Washington University, Chance lives in the Pacific Northwest with her husband and two daughters.

Most helpful customer reviews

8 of 8 people found the following review helpful.
The Visitant A Venetian Love Story! Reviewed by Loraine Oliver
By Loraine Oliver
The Visitant by Megan Chance is written in a style that reminded me of Gothic Romances when I was growing up where everything is not what it seems and there seems to be someone watching you, and at the Basilio Palazzo where Elena Spira is sent to nurse Samuel Ferber back to health, it was entirely believable.

After Elena makes a terrible mistake that caused a big mess for her family and public disgrace for herself, Elena is sent to Venice to nurse a man named Samuel back to health. Her father felt out of sight, and out of mind, and he wanted his daughter to be free of all the scandal in New York, so he sent her that far away to bring Samuel back better, as Samuel's very wealthy parents have decided it is better to get him married and hopefully healed in body mind and spirit. On top of that he suffers from epilepsy which is something that was a stigma back when this novel takes place.

When Elena gets to Venice she can't believe that where she will be is at a Palazzo that is crumbling and in a sad state of disrepair. The water in the canals is filthy and smells bad and there is black mold all over the outside of the palazzo and the inside is almost as bad. When she sees Samuel for the first time, he had taken so much laudanum, that he looked so out of it. She sees that he is not aware really of anything and she confiscates the laudanum and hides it. When Samuel is awake again he begs and demands his medicine back, as he really is in pain, but the laudanum confuses him and causes him to have hallucinations that end up causing him to have seizures.

When Elena tries to get help from the other people there, they just offer no help at all, and one of the women is a bad influence on Samuel and gives him what he wants which is another reason Samuel is so sick. Elena repeatedly has to chase this woman away from Samuel and the last straw is when he drinks a whole bottle of liquor. One night before her eyes Samuel starts going into a seizure but not before he acts like he can see the ghost of a woman that he thinks is really there! Elena can smell the rotten sea and a distinct smell of perfume as well!

An impoverished nobleman Nero Basilio, Samuel’s closest friend and the owner of the palazzo, finally arrives and Elena finally gets some answers, and he thinks that there is indeed a ghost! There seems to be dark forces there that not only hold Samuel in thrall but Nero as well. Caught between these two, Elena is desperate to find out what is going on but nothing is as it seems and then something horrible happens!

This book was so well written, the descriptions of everything is very detailed and everything from the food to the clothes and the way the people talk there is so well documented to make this book a real ghost story- mystery and the stage is set for the unthinkable to happen and it does. The characters are all well developed, the atmosphere is perfect and together it all works to make this story really work!

The plot is excellent and swiftly moves from one stage to the next, and there is even time in all of this for Elena to fall in love! The end of this book will surprise you as it did me and I really loved how it ended

I gave this book 5***** awesome stars and hope to read more by this author.

7 of 8 people found the following review helpful.
from FictionZeal.com re: The Visitant: A Venetian Ghost Story by Megan Chance
By D. Coto
Have you ever had an idea of what something might be like but then it’s totally different? It was November 1884, and Elena Spires had been traveling for two weeks. When the reader first meets her, she’s in Venice on a gondola. When the gondolier stops before the Ca’ Basillo, she observes, “the three-story palazzo was white stone, and so ruined I thought perhaps the gondolier had got it wrong. No one could possibly live here.” She finds the housekeeper, Giulia, most unwelcoming.

Elena had been sent by her father from New York to nurse Samuel Farber back to health after he’d been badly beaten – then to return him to New York where he is betrothed to be married in January. His friend, Nero Basillo, allowed him to stay at the palazzo as long as he needed to recuperate. It doesn’t take Elena long to feel that things are amiss, like she is being watched. She observes the strange waking dreams Samuel has of an angel. Elena believes he is hallucinating until she also begins to see something … but what?

It’s a wonderful story but I felt it was just a bit drawn out. Elena is a very appealing character with a bit of naivety and I could feel her frustration as she was trying to tend to Samuel Farber’s needs without an ounce of help from anyone. Even the ‘not so nice’ characters were believable and well-defined. The author uses wonderful imagery of the scenes so that the reader can practically imagine him or herself there. Rating: 4 out of 5.

11 of 14 people found the following review helpful.
Not a mystery, not suspenseful, not intriguing...rather boring!
By Amazon Customer
I got this as a Kindle Unlimited book. I love Venice and mysteries, though I'm not fond of historical novels. I realize reading a book based on locale alone is not wise but though with the ghost story twist this book might work. The book was nothing more than historical romance disguised as intrigue. The book was slow and often repetitive, not to mention predictable. I skimmed several chapters half way through not missing any of the pertinent details of the story. If you like historical romances, this is the book for you.

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Senin, 26 April 2010

[A187.Ebook] Get Free Ebook The Trial (Oxford World's Classics), by Franz Kafka

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One of the great works of the twentieth century, Kafka's The Trial has been read as a study of political power, a pessimistic religious parable, or a crime novel where the accused man is himself the problem. In it, a man wakes up one morning to find himself under arrest for an offence which is never explained. Faced with this ambiguous but threatening situation, Josef K. gradually succumbs to its psychological pressure. One of the iconic figures of modern world literature, Kafka writes about universal problems of guilt, responsibility, and freedom. He offers no solutions, but provokes his readers to arrive at meanings of their own. Mike Mitchell's translation captures Kafka's distinctive style. Based on the best available German text, it includes not only the main text but the chapters Kafka left incomplete. In his Introduction, Ritchie Robertson considers the many puzzles in the novel and the different interpretations to which the novel has been subjected. The book also includes a Biographical Preface, an up-to-date bibliography, and a chronology of Kafka's life.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Sales Rank: #397840 in Books
Published on: 2009-10-04
Original language: English
Number of items: 1
Dimensions: 5.00" h x .60" w x 7.60" l, .86 pounds
Binding: Paperback
240 pages

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124 of 131 people found the following review helpful.
Engrossing and disturbing at the same time - fantastic.
By M. Strong
It's fascinating to see the divergent reviews that this book generates; for my part, I couldn't put it down. The book creates a world and atmosphere in which you become completely engrossed - it is a disturbing place to be.

The story follows Joseph K while he is on trial by a seemingly arbitrary court system. What starts out feeling like a cautionary tale about misplaced and abused power quickly gets stranger and morphs into a story of a deeper and more personal trial. Before long, you notice that K is the one who seems to be doing the work of trying himself.

I was left thinking for a long time about the meaning behind the story and a lot of its symbols and components - I don't consider the fact that I still had questions to be a bad thing. On the contrary, this one left me feeling strangely energized.

Highly recommended for people who like philosophy, examinations of the human condition, or existentialism.

136 of 154 people found the following review helpful.
Are we all Gregor Sassma? Maybe, Franz, maybe...
By Jeffrey Ellis
For all the debate and argument over what this story means, the plot of the Metamorphosis is refreshingly simple. Gregor Sassma wakes up one morning and discovers that, over the course of the night, he's been transformed into a giant insect. The rest of this novella deals with Gregor's attempts to adjust to his new condition without providing a burden for his parents (who he has spent his life supporting and, it is made clear, veiw their son as little more than a commodity to be exploited) or for his sweet younger sister who Gregor views with an almost heart breaking affection. For his efforts to not bother society with his new insect identity, Gregor is both shunned and eventually destroyed by that same society, which of course now has little use for him. As dark as that plot outline may sound, what is often forgotten (or simply ignored) is that the Metamorphosis is -- in many ways -- a comic masterpiece. Instead of engaging in a lot of portentous philosophizing, Kafka tells his bizarre tell in the most deadpan of fashions. Ignoring the temptation to come up with any mystical or scientific explanations, Kafka simply shows us that Gregor has become an insect and explains how the rest of his short life is lived. This detached, amused tone makes the story's brutal conclusion all the more powerful.
As well, for all the theories on what Kafka's "saying" with this story, the reasons behind Gregor's transformation are not all that complicated or hard to figure out. Kafka, as opposed to too many other writers since, declines to spell out the specific reasons but still makes it clear that Gregor (and by extension, all the other Gregors in the world) had allowed himself to become a powerless insect long before actually physically turning into one. As someone who as selflessly sacrificed whatever independence he may have had to support his uncaring parents and their attempts to live an "upper class" life without actually having to suffer for it, Gregor has already willingly given up all the unique traits that make one a human. For me, even more disturbing than Gregor's fate, is Kafka's concluding suggestions that, now that Gregor has outlived his usefulness, his parents will now move on to his innocent sister. In short, despite the example of Gregor's own terrible fate, society will continue on its way with the majority of us giving up our own humanity to support the whims of a select few.
From the brilliant opening lines all the way to its hauntingly deadpan conclusion, The Metamorphosis is a powerful and satirical indictment of the bourgeois condition. Over the past few decades, the term Kafkaesque has been tossed around with a dangerous lack of discretion. It seems any writer who creates an absurd or dark trap for his main character ends up being labeled Kafkaesque. However, as this story especially makes clear, Franz Kafka was more than just an adjective. He was a unique and individual writer whose brilliance cannot be easily duplicated.

0 of 0 people found the following review helpful.
Strange and difficult
By Philip S Kruis
This has got to be one of the strangest books I've ever read. Is it a bad dream or is it the angst we all feel over our misdeeds. There were times I wanted to stop reading because it didn't seem to make sense. Now I'm quite sure it is not supposed to make sense. I'm not sure I would recommend this book to anyone a although the writing has a certain sort of genius to it. The book certainly evokes a number of feelings we don't normally like feeling.

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Selasa, 20 April 2010

[U914.Ebook] Ebook Picking Winning Shares - Simple Ways for the Intelligent Investor to Combine Fundamental and Technical Analysis to Pick Winners, by Mick P

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Picking Winning Shares

Author: Mick Pavey

FROM THE BACKCOVER

This book is written for the thousands of investors who are seeking market beating returns from their investments. In a time of low interest rates and rising inflation, this book reveals simple winning strategies that work again and again for the ordinary intelligent investor. Picking Winning Shares contains ground breaking and innovative ways, to combine Fundamental and Technical Analysis. Using the simple techniques contained herein, author Mick Pavey has achieved real annual growth, in his Self - Invested Personal Pension (SIPP), averaging 46% over the past three years. In doing so, he has out-performed the all share index which has fallen by 6.3% over the same period. He believes that anyone can learn to become a great DIY- Investor and beat the markets.

Inside you will learn how to: • Find big profits by investing in bruised, battered or depressed shares • Use a combination of technical and fundamental filters to pick winners • Recognise common winning technical patterns • Identify the key fundamental ratios • Avoid common mistakes • Improve your consistency as an investor • Know when is the right time to sell a share

This "How to" book will benefit the following groups of people: • Novice Investors • Experienced investors looking to improve their results • People looking to make their money work for them and gain free time • Those in their 40's and 50's who are late starting a pension • Anyone needing to create a deposit to get on the property ladder • Families wishing to provide for their children(s) school or university places • Business owners looking for increased returns from retained earnings • Retired people looking for better returns on their savings

Picking Winning Shares reveals the secret (legal) money making system that only the wealthy know

Using many examples, illustrated with graphs and diagrams throughout, you will easily gain a clear grasp of the author's techniques. Chapter 16 contains examples, of the application of key principles contained in this book, using fully detailed case studies based on real investments made by the author.

CONTENTS

1 Is This Book for You?

2 Why Another Book on Investing?

3 What You Will Gain From Reading This Book

4 Understanding Company Finances

5 The Life Span of a Public Company

6 Strategies for Picking Winning Shares

7 The Reasons Big Winners Come From Low Priced/Depressed Stocks 7.1 Common Sense? 7.2 Off the Radar Screen 7.3 Low Valuations & Low Priced - Why Do They Do Better? 7.4 What Can We Learn From Graham, Buffet, Lynch etc?

8 Using Simple Technical Analysis 8.1 Trends 8.2 Moving Averages 8.3 Other Indicators 8.4 Turning Points 8.5 Typical Patterns 8.6 Lateral Breakouts 8.7 Explosive Breakouts 8.8 Summary of Simple Technical Analysis

9 How to Use Key Aspects of Fundamental Analysis 9.1 It's all in the numbers! 9.2 Balance Sheet 9.3 Turnover and PSR 9.4 Profit 9.5 Earnings and Price to Earnings 9.6 Cash Flow and Price-to-Cash Flow 9.7 Summary of Simple Fundamental Analysis

10 How to Blend Technical and Fundamental Analysis to Pick Winning Shares

11 Filtering to Create Your "Watchlist" 11.1 Initial Selection 11.2 Fine Tuning 11.3 What to Choose?

12 Research

13 Ready to Buy?

14 Monitoring Your Investment Portfolio

15 Selling 15.1 Selling Manually or Automatically? 15.2 Holding Winners and Cutting Losers 15.3 Deciding to Sell 15.4 Stop Losses 15.5 Pre-Set Sell Orders 15.6 Dealing with the Proceeds of Sales

16 Case Studies

17 Keep Your Profits, Limit Your Losses 17.1 Having a System 17.2 Keeping the Gains 17.3 What the Wealthy Know - the Secret (Legal) Money-Making System 17.4 Record Keeping

Sales Rank: #9027772 in Books
Published on: 2011-02-15
Original language: English
Number of items: 1
Dimensions: 9.02" h x .40" w x 5.98" l, .56 pounds
Binding: Paperback
186 pages

Most helpful customer reviews

1 of 2 people found the following review helpful.
Just An Average Book, Very Basic General Information, You've Also Got to Endure an Author Stroking His Ego for Quite a Few Pages
By James N Simpson
This book takes quite a while to get going, and when I say quite a while, that's a severe understatement. For page after page the reader is subjected to Is this book for you? Why would you want to read this book, how to use this book (you know if you're not familiar with the whole turning a page action), the author's life story, why his book is different, the benefits of reading this book, what will you gain from this book, do you want to do it yourself? Of course the reader does, that's why they bought the book. I don't know how many pages we're in at this stage but at least a quarter of the book had been this nonsense and I was beginning to wonder if there was any actual picking winning shares content in the book at all. Finally we get to something that isn't stroking the author's ego but it's pretty basic stuff starting off with how a business works. Now if you never went to high school or something like this, these chapters might be of some interest to you but if you've even read another book on share trading or business in general this stuff is going to be beneath your knowledge level. We then move on to assets, cash flow, methods of valuing a company, it's unlikely you don't know this stuff. Eventually we move on to talking about the life span of a public company, companies going out of favour and these sorts of terms. This is basically the author's picking winning shares strategy is coming from and I have to say it is pretty high risk, if you're such a novice to the business world you needed the prior chapters you're not going to be able to pick a company out of favour with the market that actually is unlikely to go bankrupt. There's not much else in this book, I'd recommend giving it a miss.

I'd recommend getting something like Top Stocks 2013: A Sharebuyer's Guide, even if you're buying an outdated copy or aren't interested in the companies it is talking about, it still teaches you how to pick a good company from a bad one to invest in, in the introduction chapters.

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This major new complete edition of Shakespeare's works combines accessibility with the latest scholarship. Each play and collection of poems is preceded by a substantial introduction that looks at textual and literary-historical issues. The texts themselves have been scrupulously edited and are accompanied by same-page notes and glossaries. Particular attention has been paid to the design of the book to ensure that this first new edition of the twenty-first century is both attractive and approachable.

Sales Rank: #124981 in Books
Brand: Shakespeare, William/ Orgel, Stephen (EDT)
Published on: 2002-10-01
Released on: 2002-10-01
Ingredients: Example Ingredients
Original language: English
Number of items: 1
Dimensions: 9.56" h x 2.50" w x 7.43" l, 4.60 pounds
Binding: Hardcover
1808 pages

From Library Journal
Penguin Putnam shows true strength of Will by gathering all the titles in its Pelican Shakespeare line into a single, beautiful volume, complete with cloth covers and a ribbon marker. (LJ 11/15/02)
Copyright 2002 Reed Business Information, Inc.

Review
"Here is an elegant and clear text for either study or the rehearsal room, notes where you need them, and the distinguished scholarship of the general editors, A. R. Braunmuller and Stephen Orgel, who understand that these are plays for performance as wellas great texts for contemplation." —Patrick Stewart

About the Author
William Shakespeare was an English poet and playwright of the 16th and 17 centuries, now widely regarded as the greatest writer in the English language and the word's pre-eminent dramatist.

Most helpful customer reviews

166 of 167 people found the following review helpful.
Still the Best
By Wuddus
The two reviews below (as of this posting) are so complete and useful that I won't bother repeating what they've so articulately said. Both of them, however, express disappointment with the paucity of introductory material in the Pelican. Initially, I agreed with them. After the fullness of biography and background in the previous edition--not to mention the wonderful illustrations of the Globe by C. Walter Hodge--the cursory intros in the new Pelican took me as rather much of a letdown. (And why weren't the brief essays signed?) Part of the fun of any new Shakespeare, after all, is in the editorial bells and whistles!
On further thought and reading, however, I've changed my mind. The introductions to the individual plays and poetry continue to be full, thoughtful, and elegant (especially John Hollander's essay on the sonnets), and the annotations are clear and well-placed. The brief essays at the beginning of the volume provide only the essential background that the individual intros really can't. In that context, their "just the facts, ma'm" approach is refreshing and bound to be less intimidating to the first-time reader. I mean, how many students have been put off Shakespeare by the lengthiness and detail of preferatory material? Don't all the bells and whistles of other volumes imply to the fearful that one has to become a scholar simply to enjoy the show? One does need help, of course, but not a scholastic cloud. (The Norton is especially horrifying in this vein; woe to the 101 student whose instructor has chosen this for the class.)
The new Pelican does seem somehow "thinner" than its predecessor--but we might just as well say "sleeker." This is still by far the friendliest one-volume Shakespeare out there. In twenty years, this will be just as beloved as the first edition!

158 of 161 people found the following review helpful.
Overall, the one to buy
By Stanley Hauer
Like many English majors in the sixties, I grew up reading this edition. The old one had a distinguished roster of editors and was pleasant to hold and read. In the latter category this new edition is a noble successor: clear type, full names of characters (no more "1 Serv."), and notes indicated by line numbers. This new edition fails however in its skimpy (9 pages!) of introductory matter and a masthead of editors who are fairly obscure. Still, I would award the plume to this volume for the first-time reader who wants a complete Shakespeare. The pleasant appearance that I mentioned above is important--we want a volume easy to handle and read. The editing is conservative and non-controversial (no more of the Oxford/Norton kinky titles--"The First Part of the Contention," sheesh--that's Henry VI, Part 2 to us plebians). And it's not as bulky as the power-lifter's Riverside and other editions. To sum up: if you have in your family or acquaintance a budding Shakespearean, this is still the one to buy. Seeing this book in the shop was like greeting an old friend. I look forward to hundreds of wonderful hours with it.

75 of 76 people found the following review helpful.
My Favorite Complete Shakespeare...
By Enamorato
The Pelican Shakespeare is oftentimes overlooked in a very crowded field of complete Shakespeare editions. It faces stiff competition from the likes of Norton (who have more or less monopolized all of literature for college students these days), Bevington, and Riverside. I own all three, but I find myself coming back to Pelican.

At first look, one can definately see why a past reviewer calls The New Pelican Shakespeare "sleeker." It is considerably more compact than the aforementioned heavyweights, and more brief compared even to the first edition. The paperback release, in particular, is ideal for students who need an edition to carry to class (it weighs less than a standard textbook).

The reason for this is that, unlike Norton in particular, the annotations throughout the text itself is relatively light. This is pretty refreshing when you just want to get to the plays. The quality of these notes is exemplary. They are cohesive, unassuming, and enlightening. As with the Bevington, line numbers are marked where there is an accompanying footnote - something that saves the reader from having to count between markings and from wondering whether there is any footnote at all for the present line. Also, general introductory material (a biography of Shakespeare, an essay on Elizabethan theatre, and an essay on the text of his plays) is kept to a bare minimum. These brief essays amount to less than ten pages. This is pretty modest compared to the likes of Riverside or Bevington. I'm not too fond of humongous all-encompassing introductions, and professors usually suppliment the reading with an external book instead: something like Russ MacDonald's "Bedford Companion to Shakespeare" for English students or Michael York and Adrian Brine's "A Shakespearean Actor Prepares" for theatre students.

I was actually taken aback by how much revision was done to the original Pelican Shakespeare - in fact, just about everything here is new: new introductions, new annotations, and even newly constructed texts themselves. (Example: In the first edition, Juliet's line in Act II: Scene 2 of "Romeo and Juliet" reads: "That which we call a rose, by any other name..." The new edition reads "That which we call a rose by any other word..." Both editions, though, include footnotes indicating the variance.) I do kind of miss the old first edition (edited by Alfred Harbage). It was a formidible, scholarly, and easy-to-use edition. In particular I will miss it's introductions to each individual play. The introductions here are by no means inferior - they are eloquent, informative, and well-researched. I may have just become attached to the more stately essays in the previous edition.

The texts themselves are authoritative, conservatively edited and beautifully presented - standard modern spelling, readable and clear typeface in two columns. "King Lear" is here in three versions. The 1608 Quarto and 1623 Folio texts are presented in columns juxtaposed side-by-side (makes for convenient comparison), followed by a conflated text (the one from the old Harbage edition, slightly edited) that combines the best of both worlds. Ample black-and-white illustrations (as well as attractive fascimiles of the first few pages of the First Folio and Quartos) compliment the edition. Overall, the Pelican Shakespeare is an edition designed with the everyday reader in mind. Students will find it a streamlined, well-designed edition for serious study.

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Minggu, 18 April 2010

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Sales Rank: #4226431 in Books
Original language: English
Binding: Paperback

Most helpful customer reviews

13 of 13 people found the following review helpful.
Blah...disappointing book
By Pam
Very disappointed. My boys love Minecraft and own a couple of other Minecraft books. I thought this would be nice to add to their collection, but when it arrived, I was underwhelmed. It was to be a Christmas gift for one of my boys, but after flipping through it, I decided to just add it to the bookshelf and order a better book. We have the one with the Golden Pear on the front, the red stone book, and the one with the Sword (a hardcover book). All have nice, colorful pages and show a lot of neat Minecraft stuff. This is plain white paper with text. That's it. Very boring and unappealing. Not really worth my time to return...save yourself the hassle and get the ones with the colorful pages.

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Sabtu, 17 April 2010

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Osprey's study of German, British and American company and battalion tactics during World War II (1939-1945). The second World War is often seen as a confrontation of technology – tanks and aircraft, artillery and engineering. But at the heart of the battlefield was the struggle between infantrymen, and the technology was there to enable them to capture ground or hold it. This second of two books on the organization and tactics of the German, US and British infantry in Europe focuses on national differences in the development of company and battalion tactics – including those of motorized units – and the confrontation and co-operation between infantry and tanks. Contemporary photos and diagrams and vivid colour plates illustrate what tactical theories actually meant on the ground at human scale.

Sales Rank: #628797 in Books
Brand: Elite - 20th Century - World War II - Commanders,
Model: 2513010
Published on: 2005-02-05
Released on: 2005-02-05
Original language: English
Number of items: 1
Dimensions: 9.68" h x .11" w x 7.28" l, .48 pounds
Binding: Paperback
64 pages

From the Publisher
An unrivalled illustrated reference source on fighting men and commanders, past and present. Each volume is packed with full colour artwork, making military history uniquely accessible to enthusiasts of all ages.

About the Author
Dr Stephen Bull is the Curator of the Museum of Lancashire in Preston, which incorporates the collections of several local regiments. Born in 1960, he graduated from the University of Wales with a BA (Hons) in history in 1981 and obtained his doctorate from University College, Swansea. For several years he worked at the National Army Museum. He has written numerous articles for specialist journals, including a number on the weapons and tactics of World War I.

Most helpful customer reviews

0 of 0 people found the following review helpful.
If only the books were bigger: ) Picked this ...
By Casey Wagner
If only the books were bigger :)
Picked this up while doing research for a game. The game never came to be but the books were enjoyable :)

26 of 29 people found the following review helpful.
A ten-year battalion commander's course in 64 pages
By Alan D. Cranford
My private library has a number of military manuals and books on military science. "World War II Infantry Tactics: Company and Battalion" is a condensed, image-rich guide for the military historian, World War Two gamer, and the scale modeller. Dr. Bull examines both the theory and practice of British, German, and American armies in Western Europe between 1939 and 1945. Don't look in here for the latest and greatest cutting-edge infantry tactics--Stephen Bull wrote about what happened in the past. That's history, folks! A battallion commander would need about a decade of military education and experience to apply the lessons in this thin little book.

Line and block charts dipict the organization of line infantry battalions--one from the three countries. Germany seemed to have a battalion for every purpose, so the charts are a bit generic--but give a clear picture of the parts if a battalion. Dr. Bull shows how the different parts worked together through text and pictures. The color plates on pages 33-40 are easy to understand. Showing how the British and Germans conducted urban warfare is valuable to understanding why American infantry doctrine until Iraq was to stay out of cities--and blast the cities into rubble. City fighting can be more costly than taking down a fortified enemy postion. Dr. Bull didn't mention non-combatant civilians or guerrilla activity--but neither did US Army doctrine of the period, at least not for the line infantry battalion commander. Bull did cover machine guns, mortars, anti-tank techniques, land mines and booby traps, mototized and "armored" infantry, and tank-infantry cooperation in detail. World War Two combat was combined arms--the infantry was never alone (though the World War Two infantry veterans I spoke to swear they were the Army's step children).

"World War II Infantry Tactics" spotlighted that German, British, and American infantry tactics were surprisingly similar. Surprising, perhaps, to someone who didn't consider that humans were conducting the same sort of activities over the same terrain with similar hardware--but there were significant differences between the three nations. At the basic squad eqipment level, the Germans had a belt fed light machine gun and severl 5-shot bolt action rifles and one or two submachine guns, the British BREN gun fed from a "30-shot" box mangazine and was teamed up with several 10-shot bolt action rifles and a submachine gun or two, and the Americans had one or two Browning Automatic Rifles (20-shot magazine) and bunches of the 8-shot semiautomatic Garand M1 rifle (and occassionally .45 caliber submachine guns and semiautomatic M1 carbines). The basic "fire volume" was about the same, even though the American Browning Automatic Rifle didn't have a quick-change barrel like the other two squad automatic weapons. America got into the war about the time that the anti-tank rifle was being retired for being ineffective against tanks, and American infantry generally had the workable 2.36-inch rocket launcher (AKA "Bazooka") and the M9 and M9A1 anti-tank rifle grenade when they began seeing large-scale combat, so they didn't have to have the elaborate anti-tank teams that the British and Germans were forced to cobble together with improvised anti-tank weapons. Fighting a tank while armed with just a crowbar--so that your buddy with a can of "petrol" can heave it atop the engine deck of an enemy tank so that a third man can puncture the can with rifle fire and a fourth can ignite the flammable fuel with a hand grenade or perhaps a bundle of smoldering rags is different from waiting until the enemy tank passes by your Bazooka position until you can get a flank or rear shot! The early-war infantry 37mm anti-tank guns were not very effective on late-war light tanks--and just about everybody had medium tanks in service during 1942.

"World War II Infantry Tactics: Company And Battalion" is concise and compact. If I were briefing "battalion commanders" in a WWII war game, I'd want them to have read this book first. I learned a few things that I hadn't known before, and I have dozens of other books on this very subject in my collection!

3 of 3 people found the following review helpful.
Solid introduction to the role of companies and battalions in World War II
By Steven Peterson
Companies and battalions were important organizational units among British, German, and American armies in World War II. The book begins with a somewhat vague description of the battalion. But organizational charts on pages 6 (British) and 11 (American) and 12 (German) begin to exemplify the battalion. Key building blocks are companies, smaller units.

The book describes tactical operation of battalions. The work also examines other aspects of the units considered here: machine gun support, mortars, mines, anti-tank tactics and their evolution, and motorized infantry (including the role of armor).

This Osprey volume in the Elite series does a nice job or providing a sense of tactics at the company/battalion level. Nice illustrations and photographs provide useful context.

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Jumat, 16 April 2010

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Sales Rank: #14457981 in Books
Published on: 1975-01-01
Original language: English
Binding: Hardcover
80 pages

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