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The Trial (Oxford World's Classics), by Franz Kafka
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One of the great works of the twentieth century, Kafka's The Trial has been read as a study of political power, a pessimistic religious parable, or a crime novel where the accused man is himself the problem. In it, a man wakes up one morning to find himself under arrest for an offence which is never explained. Faced with this ambiguous but threatening situation, Josef K. gradually succumbs to its psychological pressure. One of the iconic figures of modern world literature, Kafka writes about universal problems of guilt, responsibility, and freedom. He offers no solutions, but provokes his readers to arrive at meanings of their own. Mike Mitchell's translation captures Kafka's distinctive style. Based on the best available German text, it includes not only the main text but the chapters Kafka left incomplete. In his Introduction, Ritchie Robertson considers the many puzzles in the novel and the different interpretations to which the novel has been subjected. The book also includes a Biographical Preface, an up-to-date bibliography, and a chronology of Kafka's life.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
- Sales Rank: #397840 in Books
- Published on: 2009-10-04
- Original language: English
- Number of items: 1
- Dimensions: 5.00" h x .60" w x 7.60" l, .86 pounds
- Binding: Paperback
- 240 pages
Most helpful customer reviews
124 of 131 people found the following review helpful.
Engrossing and disturbing at the same time - fantastic.
By M. Strong
It's fascinating to see the divergent reviews that this book generates; for my part, I couldn't put it down. The book creates a world and atmosphere in which you become completely engrossed - it is a disturbing place to be.
The story follows Joseph K while he is on trial by a seemingly arbitrary court system. What starts out feeling like a cautionary tale about misplaced and abused power quickly gets stranger and morphs into a story of a deeper and more personal trial. Before long, you notice that K is the one who seems to be doing the work of trying himself.
I was left thinking for a long time about the meaning behind the story and a lot of its symbols and components - I don't consider the fact that I still had questions to be a bad thing. On the contrary, this one left me feeling strangely energized.
Highly recommended for people who like philosophy, examinations of the human condition, or existentialism.
136 of 154 people found the following review helpful.
Are we all Gregor Sassma? Maybe, Franz, maybe...
By Jeffrey Ellis
For all the debate and argument over what this story means, the plot of the Metamorphosis is refreshingly simple. Gregor Sassma wakes up one morning and discovers that, over the course of the night, he's been transformed into a giant insect. The rest of this novella deals with Gregor's attempts to adjust to his new condition without providing a burden for his parents (who he has spent his life supporting and, it is made clear, veiw their son as little more than a commodity to be exploited) or for his sweet younger sister who Gregor views with an almost heart breaking affection. For his efforts to not bother society with his new insect identity, Gregor is both shunned and eventually destroyed by that same society, which of course now has little use for him. As dark as that plot outline may sound, what is often forgotten (or simply ignored) is that the Metamorphosis is -- in many ways -- a comic masterpiece. Instead of engaging in a lot of portentous philosophizing, Kafka tells his bizarre tell in the most deadpan of fashions. Ignoring the temptation to come up with any mystical or scientific explanations, Kafka simply shows us that Gregor has become an insect and explains how the rest of his short life is lived. This detached, amused tone makes the story's brutal conclusion all the more powerful.
As well, for all the theories on what Kafka's "saying" with this story, the reasons behind Gregor's transformation are not all that complicated or hard to figure out. Kafka, as opposed to too many other writers since, declines to spell out the specific reasons but still makes it clear that Gregor (and by extension, all the other Gregors in the world) had allowed himself to become a powerless insect long before actually physically turning into one. As someone who as selflessly sacrificed whatever independence he may have had to support his uncaring parents and their attempts to live an "upper class" life without actually having to suffer for it, Gregor has already willingly given up all the unique traits that make one a human. For me, even more disturbing than Gregor's fate, is Kafka's concluding suggestions that, now that Gregor has outlived his usefulness, his parents will now move on to his innocent sister. In short, despite the example of Gregor's own terrible fate, society will continue on its way with the majority of us giving up our own humanity to support the whims of a select few.
From the brilliant opening lines all the way to its hauntingly deadpan conclusion, The Metamorphosis is a powerful and satirical indictment of the bourgeois condition. Over the past few decades, the term Kafkaesque has been tossed around with a dangerous lack of discretion. It seems any writer who creates an absurd or dark trap for his main character ends up being labeled Kafkaesque. However, as this story especially makes clear, Franz Kafka was more than just an adjective. He was a unique and individual writer whose brilliance cannot be easily duplicated.
0 of 0 people found the following review helpful.
Strange and difficult
By Philip S Kruis
This has got to be one of the strangest books I've ever read. Is it a bad dream or is it the angst we all feel over our misdeeds. There were times I wanted to stop reading because it didn't seem to make sense. Now I'm quite sure it is not supposed to make sense. I'm not sure I would recommend this book to anyone a although the writing has a certain sort of genius to it. The book certainly evokes a number of feelings we don't normally like feeling.
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